Diana Armfield RA PS NEAC

Diana works in several media; each can influence the method. Working outside, response to the subject is paramount. Once the choice of toned support and boundaries is acknowledged, the scene itself will seem to dictate what follows. Back in the studio, the outcome will get a long appraisal. If then developed in the studio, her emphasis shifts to thoughts of geometry, memory, imagination, possibly a drawing will come into play.

Flowers are seldom static. At first she will attempt to establish dominant blooms against precise indications of the more stable elements; exhilarating, sometimes despairing, rarely abandoned!

Pastels, usually based on sketchbook drawings; they seem to her, appropriate for town or café scenes. Figures, dogs get added from memory, imagination, or the sketchbook. They become alive to her, developing personalities and situations, rather in the way that characters in novels do for authors. Observed drawing underpins all her work.