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Keith Breeden RP

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Rt Hon Charles Kennedy MP, 1959-2015. Liberal Democrats Leader 1999-2006

Breeden-Keith-Charles Kennedy 1959-2015.jpg
Keith Breeden RP
Oil
70 x 70 cm
Related exhibition:
Royal Society of Portrait Painters Annual Exhibition 2017

Professor Richard Carwardine FRHistS FBA FLSW, President of Corpus Christi College, Oxford, 2010-2016 (Courtesy of the College)

Breeden-Keith-Richard-Carwardine--3256.jpg
Keith Breeden RP
Oil
91 x 71 cm
Related exhibition:
Royal Society of Portrait Painters Annual Exhibition 2017

Baroness Hale of Richmond DBE PC QC FBA, Chancellor of the University of Bristol, 2004-2016 (Courtesy of the University)

Breeden-Keith-Brenda-Hale-50%.jpg
Keith Breeden RP
Oil
110 x 90 cm
Related exhibition:
Royal Society of Portrait Painters Annual Exhibition 2017

The Rt. Hon. Sir Stephen Brown GBE, President of The Malvernian Society (Courtesy of Malvern College)

Breeden-Keith-Stephen B.jpg
Keith Breeden RP
Oil
100 x 80 cm
Related exhibition:
Royal Society of Portrait Painters Annual Exhibition 2016

Ian Ritchie, President of the Royal College of Surgeons of Edinburgh 2012-2015 (Courtesy of the Royal College of Surgeons of Edinburgh)

Breeden-Keith-Ian R.jpg
Keith Breeden RP
Oil
100 x 80 cm
Related exhibition:
Royal Society of Portrait Painters Annual Exhibition 2016

Ian MacLaurin, Baron MacLaurin of Knebworth, Chairman of Malvern College Council 2003-2015 (Sketch) (Courtesy of Malvern College)

Breeden-Keith-Ian MacL.jpg
Keith Breeden RP
Oil
50 x 40 cm
Related exhibition:
Royal Society of Portrait Painters Annual Exhibition 2016

Professor Lord Krebs of Wytham, Principal of Jesus College, Oxford

Breeden-Keith-Professor Lord Krebs.jpg
Keith Breeden RP
Oil
100 cm x 90 cm
Related exhibition:
Royal Society of Portrait Painters Annual Exhibition 2015

Professor Graham Russell, Emeritus Professor of Musculoskeletal Pharmacology

Breeden-Keith-Graham Russell.jpg
Keith Breeden RP
Oil
81 cm x 66 cm
Related exhibition:
Royal Society of Portrait Painters Annual Exhibition 2015

About Keith Breeden RP

Profile

Artist details

Artist's Statement

I work in a traditional manner, I guess, but I draw influences from artists of all periods. I have aims & manners of style that sometimes conflict: I want to paint in different ways. It is hard to see my work objectively & it is often difficult to see a way ahead. I want to establish my own language of marks & not copy others. I have a long way to go.

I am a perfectionist, with all the baggage that brings. It drives me on but also inhibits me. Having no training in painting has been a hindrance but at the same time, perhaps a release. Someone said I was lucky not to have received an art education, as it meant I had not been told what was right & wrong, what was good & bad, but could decide those things for myself. But it is difficult to maintain confidence when most of my judgements are self-reliant & I have no bedrock of received knowledge to support them. The fact that I continue to receive commissions must be a validation, but I find it hard to make the connection. Still, I don't believe you need an artschool education to understand or practice art. Good art speaks to everyone, educated or not: a work must speak for itself & if any artwork relies on an explanation outside of itself to be appreciated, then it is the lesser work for that.

Biographical Details

Raised in Cheshire, I painted & drew all the time, enjoyed primary school education but lost the plot at grammar school, & then dropped out of art college shortly after. I worked as a gardener, gravedigger, forklift driver, warehouse & cellarman. I carried on drawing & painting: small illustrations, drawings of houses. By 1977 I was in London. It was an exciting time & Punk was opening doors for untrained enthusiasts in all the arts. An old schoolfriend, Malcolm Garett was working as a designer in the music industry & helped me onto the rails when he asked me to come & do some layout work for him: He taught me the basics of design for print & I worked with him at assorted iMaGes, producing artwork for record sleeves & posters. I was also lucky that another member of my old school art class, Peter Saville was at Dindisc Records & he asked me to do some work there. In 1984 I set up my own studio: DKB, & joined by Peter Curzon & Martin Jenkins, did work for ABC, Bryan Ferry, The Cult, FYC, Cang of Four, The Mission, Alison Moyet, Scritti Politti, and many others. In 1985 our sleeves placed first in both album & singles categories in the Music Week awards. I started to do paintings, illustrations, collages & sculptures to use on sleeves. Storm Thorgerson (RIP, God Bless you, you old b****r) asked me to work with him on several projects. I push myself very hard, but Storm pushed me harder. He encouraged me in making sculptures which we employed on sleeves for EBH, Pink Floyd, Thunder & others. For the first time, I considered the possibility that I might become an "artist" - painting & sculpting for a living.

The recession of the late 80's coincided with my increasing disinterest in working in the music business & living in London. In 1988 my girlfriend & I bought a cottage in Mid-Wales with a view to leaving. Our first daughter was born & in 1992 I closed the business & we moved to Wales. I spent 2 years (& all our savings) renovating the cottage, and then came to paint: It was more difficult than I had expected. I worked in an old caravan in the garden & for 6 months I tried to "be a painter", rejecting idea after idea as being too pretentious, dull or unoriginal. By late 1994 we had no money, I was without any real direction & the caravan, a dismal place, was leaking badly.

A friend kindly offered a room to use as a studio in a village nearby: With a decent space & light, things picked up. In an interview with the printmaker Terry Frost I read; "looking for something to inspire you to work is an escape from taking action. The decision to take action is the only way of seeing". This showed me a way forward - forget the thinking - work! I would paint the things around me, the things figurative painters had always painted; still lives, landscapes, & portraits.

Society Memberships

Royal Society of Portrait Painters

Exhibitions

Royal Society of Portrait Painters Annual Exhibition 2017
Royal Society of Portrait Painters Annual Exhibition 2016
Royal Society of Portrait Painters Annual Exhibition 2015
Commissions

Price guide

Oil

From 20 x 16 inches: 
From £10,000

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