Peter Wileman FROI RSMA FRSA

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Cherry Blossom, Loch Avich

Oil

50 x 60 cm (67 x 77 cm framed)

£3,250

Related exhibition:

Available for collection:

10 December 2020

Summer on the Estuary

Peter Wileman FROI RSMA FRSA

Oil

50 x 60 cm (67 x 77 cm framed)

£3,250

Related exhibition:

Available for collection:

10 December 2020

Twilight Revelation

Peter Wileman FROI RSMA FRSA

Oil

91 x 122 cm (109 x 139 cm framed)

£8,250

Related exhibition:

Available for collection:

10 December 2020

Found in the Rain

Peter Wileman FROI RSMA FRSA

Oil

97 x 97 cm

Related exhibition:

Giving Way to Silence

Peter Wileman FROI RSMA FRSA

Oil

97 x 97 cm

Related exhibition:

Winter's Tale

Peter Wileman FROI RSMA FRSA

Oil

57 x 67 cm

Related exhibition:

Just before Dawn, Albert Bridge

Peter Wileman FROI RSMA FRSA

Oil

68 x 120 cm

Related exhibition:

Solitude

Peter Wileman FROI RSMA FRSA

Oil

67 x 77 cm

Related exhibition:

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About Peter Wileman FROI RSMA FRSA

Profile

Artist details

Artist's Statement

Peter's style is bold and vigorous, both in the use of colour and the handling of paint as he explores the effects of light on my subject, seeking atmosphere through light and colour.

Method of Working

Peter has always been attracted to coasts and seascapes in general, as he loves the sense of infinity and endless searching that they give her. The subject of his next work will usually come to Peter when he is out by the sea, feeling at one with the nature and its elements, and at this time he knows what direction the composition will take. Back in his studio the painting begins to take shape in reality, and he aims to recreate both what she has seen and his own emotional response to it. Peter prefers to paint in oils as he finds that this is the medium most adaptable to changes of light and mood.

Biographical Details

Peter Wileman has worked in the field of art and design for over forty five years. Painting since childhood, after leaving school Peter joined a Studio as a Junior for Hallmark Cards, studying lettering and design which gave me a solid grounding in colour awareness and formal structure. He then became Art Editor on a number of IPC magazines, until finally tiring of the rat-race and becoming a freelance illustrator. Working freelance gave him the opportunity to concentrate on my painting, giving me the freedom to develop his work.

2001 Elected a member of the Royal Institute of Oil Painters

2008 Elected President of the Royal Institute of Oil Painters

2008 Elected a Fellow of the Royal Society of Arts